Pet Semetary (1989) vs Pet Semetary (2019): Movie review showdown.

Pet Semetary (1989) vs Pet Semetary (2019): Movie review showdown.

**Needless to say there are spoilers in this article so steer clear until you’ve watched the new film.**

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As I mentioned in my last post, my book review of Pet Semetary by Stephen King, my friends and I decided to make a little Stephen King book club. Every month or so, we would read one of his books and watch the screen adaptations because, yes, we are massive nerds and yes, we love horror. So we started with this one because a brand new adaptation just hit the big screens and it felt like fate. So we read the book and every one of us loved it, read my previous post for the full review. So far so good. Now, we were going to watch the two adaptations. One from 1989 starring Dale Midkiff and Star Trek Next generation’s Denise Crosby, before venturing to the cinema to see the new release starring Jason Clarke, Amy Seimetz and the beloved John Lithgow. They are both based on the same book so they won’t be that dissimilar, right? WRONG! The two films were worlds apart in both quality, performance and horror, so I thought I should write a review, comparing the two films to both the original book and each other. So here we have it, the ultimate showdown…who are you routing for?

Age before beauty, so let’s start with the 1989 adaptation. I had seen this once as a child, many, many moons ago (I won’t say how long because I don’t want to reveal just how old I am) but truthfully I barely remembered it. Not the best sign I suppose, but at least it meant I was going into it with no preconceptions. I can forgive 80s horror movies for their terrible special effects because they give me nostalgic vibes and sometimes, the way the directors and creators have got around issues with budget and technological constraints can sometimes produce what is often scarier and more tense than the all out CGI we have today. What I cannot forgive is terrible acting. Every single actor in this movie, with the exception of Brad Greenquist who played the ill fated Pascow, was beyond wooden. Honestly, it was like they weren’t even trying. The worst culprits were by far the main characters Louis Creed, played by Dale Midkiff and his wife Rachel, played by Denise Crosby. I’m not sure if they were just phoning it in for the pay cheque or they are honestly just terrible for the roles, but either way it was like watching shop mannequins fumble their way through.

Not a great start, right? But maybe, the script was good? Nope, not particularly. Look, I get that this is a big old book to squeeze into a ninety minute movie, so of course not everything will make it in there but what I have learned over the years is that you can practically throw the original book away as long as the movie captures the books vibe and atmosphere (see Netflix’s The Haunting of Hill House for the perfect example of this) but unfortunately this adaptation captured neither. One of the biggest issues with this film may actually be that it stuck TOO CLOSELY to the original book, choosing to go down the same murderous, psycho toddler route. There are two major problems with this: 1) Anyone can overpower a toddler, even a supernatural one and 2) Toddler’s aren’t scary, they are in fact adorable and the one chosen to play Gage in this film, actor Miko Hughes, is particularly cute. No matter how much he attempts to scowl and growl, I find myself cooing and awing at every shot of his chubby cheeks and wide eyes. A scalpel has never been as sweet as when it is being held aloft by this child’s chubby hand. The lesson here is, what works in a book doesn’t necessarily translate well to screen. The movie’s exposition is also ridiculously rushed so it feels like a poor adaptation rather than a movie in its own right. Lesson number two, if you can’t fit it all in Lord of the Rings epic trilogy style, then learn to edit.

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One of the other things that really bothered me was the set, specifically the forest beyond the deadfall. In the book, a dark, otherworldly, misty forest is described whereas this film gives us a very pleasant national park perfect for a Boy Scout’s nature trail. It just all felt rather half assed to be honest. But it did get a few things right. As mentioned, the actor playing Pascow, Brad Greenquist, puts on a great performance as the warning spirit and despite the bad guy being the cutest sweetie pie ever, the bit where he slices clean through Judd’s Achilles heel was painful to watch even with 1980s special effects. Overall though, this film fell flat and in my opinion is only really worth watching for nostalgia purposes.

So what of the new film? This film demonstrates in glorious HD how an adaptation should be done. First of all, the actors are great providing believable performances throughout. I’m a massive fan of Jason Clarke, particularly after his performance in the thoroughly recommended Winchester, and he does a great job of playing Louis perfectly depicting his grief. This movie was also smart enough to ditch the whole killer toddler thing instead having the Creed’s older child Ellie die and be brought back. Whilst toddlers are adorable and cannot possibly be considered scary (with the possible exception of my daughter when she is hangry) older children can make creepy little villains…think Samara in The Ring, Children of the Corn or The Omen. The actress playing Ellie, Jete Laurence makes a very convincing little psychopath and provides that much needed horror to the movie. Whilst it isn’t the scariest film I’ve ever seen, it’s pretty well done, with great sets, convincing special effects (without going overboard with CGI as so many modern films tend to do) and great actors.

I particularly loved this movie’s nods

to the previous adaptation, with the truck driver who kills Ellie being distracted by a text from Sheena (the original truck driver is singing along to Sheena is a punk rocker by The Ramones), with Gage running to the road just as he does in the book and the original adaption as a red herring for Ellie’s death and finally, with that Achilles heel moment mentioned above, except in this version Judd kicks the bed away with no psycho child to be found underneath only to be sliced and diced as he descends the stairs. This self referencing is something Stephen King does throughout his own books, with winks and nods to other stories and novels peppered throughout. This movie perfectly captured this on screen. In fact, at one point Ellie explains to Jud who Winston Churchill is and he exclaims he knows well who he is- the actor John Lithgow plays Churchill in Netflix’s The Crown. Again, that little wink to the audience is exactly the type of thing King himself would do.

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This adaptation completely strays from the book in some ways, some good, others not so good. In this adaptation, Louis tries to offload the now psychotic family cat Church by driving him into the middle of nowhere and abandoning him. Of course, he finds his way home and when the very happy and relieved Ellie runs to him, being struck down in the process, it only goes to increase Louis’ feeling of guilt and fault at her death. If he hadn’t tried to get rid of Church, perhaps this wouldn’t have happened. I also love that, unlike the book, the cat is fully feral in the new adaptation. His issues as described in the book, his odd zombielike motions, his smell of earth and rot and the fact that he causes unease and general discomfort wherever he goes, is not necessarily easy to translate onto the big screen whereas a cat clawing and snarling works well. The ending is dramatically changed from the book and original movie and this is one I had a bit of a problem with. In this ending, Ellie kills Rachel and drags her to the semetary. She then returns and kills Louis, then proceeds to drag him to the semetary, before the entire now evil, regenerated family complete with psycho cat, now walk towards Gage after burning down Jud’s house. I assume Gage will be next on the hit list, or maybe they’ll wait until he is older, who knows. I wasn’t a fan of this ending. I much prefer the ending of the book, and subsequently the original adaption, with Louis killing his zombie child after he has killed Rachel, before taking Rachel to the semetary and bringing her back to life. It ends with her simply dragging her dirt covered feet inside and saying, “Darling” leaving it up to ourselves to decide what happens to Louis and his remaining child. I understand that the writer of this new adaptation wanted a new ending in order to surprise audiences who are well familiar with the original ones as well as satisfy those new to Stephen King’s work, but sadly it just didn’t pull it off for me. Personally, I would have had Louis kill Ellie, then flee with Gage only to have Rachel stumble out of the forest and stare after them, again leaving it up to the viewer to imagine what is coming next. But that’s just me.

Overall though, the new film is thoroughly entertaining and an enjoyable watch for any horror fan whether you like Stephen King or not. I would recommend it to any horror fan.

But these are just my opinions- what did you think of the old and new adaptations? How would you have ended the new film? Comment and let me know and don’t forget to subscribe so you can keep up to date with all my latest posts.

Book Review: Bird Box by Josh Malerman.

Book Review: Bird Box by Josh Malerman.

Happy Sunday readers, I hope you had a wonderful weekend!  For tonight’s blog post, I will be reviewing Birdbox by Josh Malerman.  I think I might be the only person who hasn’t watched the Netflix original adaptation of this, but I really wanted to read the book first (plus I have a rather demanding Toddler so very limited TV time that doesn’t involve cartoon princesses and singalongs).  I will hopefully get watching it this week, but if it is even half as good as this book then I know I am in for a treat.

birdboxFor those of you unfamiliar with Birdbox (have you been living under a rock or something?) the premise is this: A phenomenon is sweeping across the globe where people are going crazy, killing themselves and sometimes others too.  No one knows what is causing this, just that the victims always saw something before it happened. The book moves between the very pregnant Malorie and a rag tag group of survivors in the past, to the present where her and her two children battle their way upriver in the hopes of finding safety from these unknown creatures, the wild animals which have now inherited the earth from man and worse, the crazed people driven homicidally mad by what they have seen.  Sounds awesome right?

I absolutely loved this book, I really did.  The premise is fantastic, the characters are all well developed and believable and the tension and horror is very real.  I love that we as the reader never really find out what’s going on.  Are these creatures from another world or dimension?  Do they mean to cause us harm or are they inadvertently causing this carnage?  There are a few theories shared within the book, my favourite being that these creatures are so unfathomably different from ourselves that our tiny human brains simply cannot comprehend it and promptly go nuts at the slightest glimpse.  Whatever is happening, the creatures are never described which means that whatever they are is left entirely to our own imagination (in mine, they are like a creature shaped void of nothingness, walking black holes in our world, but that’s just me).  But the creatures are by no means the scariest part of this book, as it’s the reaction of the humans to the phenomena that offers the books creepiest moments.  Remember, our characters are literally blind folded, so the mere crack of a tree branch is enough to cause total panic.  Then there are the characters who are driven a different kind of mad by the creatures and the situation at large.  They don’t flip out and immediately kill themselves like most, but slowly go insane, hurting their fellow survivors.  I don’t want to have any spoilers but when things go bad, they really go South fast and it is here we see this maniacal, creepy lunacy played out in full bloody horror.

I really enjoyed the movement from past to present, it kept me hooked, maintained the tension throughout and made me desperate to find out what happened.  I had one of those ‘just one more chapter’ moments resulting in me staying up way past my bed time and suffering for it the following day (it was totally worth it though).

I love Malorie.  As a mother, I recognise that need to keep your children safe at all costs, that guttural feeling inside that says above all else, to protect.  At it’s core, this book is about survival.  It is about the good side and the bad side of humanity when faced with unimaginable horror.  It is about a mother determined to protect her children.  It is about man kind clinging to a world that is no longer theirs, refusing to lie down and give up despite insurmountable odds.  It’s pretty inspiring actually and has had me thinking at length about what I would do if, God forbid, such a thing ever happened for real.  I can’t imagine I would last too long, but I know I would do whatever I could to protect my own daughter, just like our protagonist.

It’s a slow burner, dotted with enough moments of peril and action to pull you along at a good pace to that big and bloody finale.  It’s a tense read and one that I enjoyed thoroughly.  I have to give this one full marks with five stars out of five!

Unboxing: Books that Matter Book Box, the feminist book subscription box.

Unboxing: Books that Matter Book Box, the feminist book subscription box.

booksmatter1Happy Sunday everyone, I hope you had a wonderful weekend.  For this evening’s post, I have an unboxing which I am particularly excited about.  I had never heard of the ‘Books that Matter‘ books subscription box until the founder Molly contacted me and Kindly offered to gift me this month’s box.  After checking out their website and reading about their philosophy, I jumped at the chance! You see, this isn’t your average book subscription box, this is a box with a mission.  This is a woman ran book box who is determined to not only promote great female identifying writers and artists, but seriously marginalised ones such as women of colour, transgender authors, less able women and queer women.  Each box contains a book chosen in order to enlighten the reader on themes of gender, race, culture, class, ethnicity, ability, sexuality, politics, or history, alongside at least two gifts by independent female-identifying or non-binary artists. In short, this is the ultimate feminist book box!  I am so excited by this ethos.  In a world which seems to be filled with so much hate, bigotry, discrimination and marginalisation, it is wonderful to find a company which is determined to promote those voices which are heard less and writers and artists who are all too often overlooked.  I was practically giddy when my box arrived and I saw how wonderful it is, living up to my very lofty expectations.  In fact, I was so impressed, I asked Molly if I could interview her for a future blog post and collaborate again soon with a giveaway (HELL YEAH) and on guest blog posts, so keep an eye out!  But the best bit?  This book subscription box is the cheapest I have ever come across.  At only £13 for the box it is serious value for money and as if things couldn’t get any better, Molly is offering 10% off your first box with discount code MARIE10, so you have no excuse not to immediately buy one!

Whilst I could gush about this box all day, perhaps I should get around to the all booksmatter4important unboxing!  So what did my fabulous feminist box contain?  First up, the all important piece of literature.  This month’s book is Good Morning Midnight by Jean Rhys. Now anyone who follows me on Instagram will know that I am OBSESSED with penguin classics and that I have an ever growing and very beloved collection of the vintage beauties, so I was so very happy to find this stunner in my box.  So let’s take a look at that all important blurb to get a feel for this 1939 modernist classic:

In 1930s Paris, where one cheap hotel room is very like another, a young woman is teaching herself indifference. She has escaped personal tragedy and has come to France to find courage and seek independence. She tells herself to expect nothing, especially not kindness, least of all from men. Tomorrow, she resolves, she will dye her hair blonde. Jean Rhys was a talent before her time with an impressive ability to express the anguish of young, single women. In Good Morning, Midnight Rhys created the powerfully modern portrait of Sophia Jansen, whose emancipation is far more painful and complicated than she could expect, but whose confession is flecked with triumph and elation. One of the most honest and distinctive British novelists of the twentieth century, Jean Rhys wrote about women with perception and sensitivity in an innovative and often controversial way.

This novel sounds truly inspirational and as a lover of classic literature, I am very excited to read it.  I have read a little about the author and she found her fame with a book depicting an account of Jane Eyre‘s Bertha Rochester and since Jane Eyre is my favourite book, this has gone straight to the top of my wish list, so the box was a total success as far as I’m concerned- I discovered a new writer to get to know!

booksmatter3Along with the book, I got three gorgeous bookish items.  First up, is a sew on patch by Karen from ‘A Rose Cast.’  I am already familiar with this artist and I’m a big fan, because she is a Belfast Lass like me!  The quotation is an Emily Dickinson quote about searching for one’s true self amidst the darkness of life.  It reads, “I am out with lanterns looking for myself.”  I love Karen’s fonts and this black and gold patch is just lovely!  I just have to decide what to sew it onto now.  There was also a super cute bookmark which celebrates mental health awareness month and as someone who suffers from anxiety and depression, I appreciate that the ladies of the ‘Books that Matter’ box stand in solidarity with ladies such as myself who find themselves struggling sometimes.  It’s also an important reminder of self care- remember, if you find yourself struggling, don’t do so alone!  Speak to someone, seek help and remember, you are stronger than you know!

The second item is an enamel pin, which I was very impressed with given how expensivebooksmatter2 they can be!  The pin is by the ‘Books that Matter’ in house artist Kate, an obviously very talented woman, which says, “Don’t be so hard on yourself.”  A simple but important message for us all, and something I often need to remind myself.

On a minor side note, I love the box itself, with the very cool illustrations of female bookworms on it- I felt very special receiving it in the post and it immediately brightened my day when it arrived.

So there you have it guys, a feminist book subscription box that promotes female identifying and marginalised writers that contains an awesome book and beautiful bookish goodies by independent artists and which is super good value for money to boot!! Perfection!  Don’t forget to use MARIE10 for 10% off at the checkout and keep an eye out for the interview with the fabulous Molly Masters, the box’s creator…in fact, why not subscribe to my blog so you never miss out on my unboxing, book reviews and pieces of original writing!  For now, have a wonderful day and happy reading!

 

Unboxing: My ‘Baby My Book’ Rep package.

Unboxing: My ‘Baby My Book’ Rep package.

I was so honoured to be chosen by the fabulous Baby My Book to represent them on babybook2Instagram and the other day, my fabulous rep package arrived!! Baby My Book create the most amazing booksleeves, mug rugs & Book marks. If you’re unfamiliar with the concept of a Book sleeve, you are obviously not as obsessive compulsive as I am when it comes to keeping books in pristine condition. Basically, they are like little sleeping bags for your books, to keep them safe and sound while stuffed inside your junk filled handbag or rucksack. If, like me you have an aversion to dogeared pages and creased spines, then you need to get yourself one of these bad boys! I’m fact, you can get 10% off the badass designs at Baby My Book with my discount code BOOKISH10…you’re welcome!!  So what goodies did I receive?

babybook1Inside my rep package, I received:

  • A Stephanie Garber Legendary themed large booksleeve with the quote: ‘Gold Shimmered no matter what, but few people could make darkness glitter the way he did.’
  • A Holly Black Cruel Prince themed mug rug with the quote: ‘If I cannot be better than them then I will become so much worse.’
  • A large Ouija book sleeve (My personal favourite…it gives me all the witchy vibes)
  • A dragon, crow and octopus 3D bookmark.

And there you have it! I am obsessed with my Ouija book sleeve and have been using it since it arrived, it’s officially my new favourite thing!  Head to my Instagram to see close ups of each of the items and just to check out my pics and random ramblings!  And don’t forget to subscribe to my blog for all the latest book reviews, unboxing and pieces of original writing!

Book Review: Decorating a Room of One’s Own by Susan Harlan.

Book Review: Decorating a Room of One’s Own by Susan Harlan.

Happy Sunday readers! For tonight’s blog post I will be reviewing Decorating a Room of One’s Own by Susan Harlan, who Kindly gifted me a copy in exchange for a fair and honest review after seeing my love for classic literature on my Instagram! The basic premise of this book is so original and charming, I’m genuinely obsessed with it.  Imagine an interior design book, where instead of interviewing designers or celebrities about their home style inspiration, it features interviews with some classic literary characters.  People such as Dracula, Jane Eyre and Elizabeth Bennett open the doors of their homes and castles and give the reader insight into their interior design choices, where they get their inspiration from and what their favourite features of their homes are.  It includes tours of famous literary residents such as Pemberley, Victor Frankenstein’s laboratory and Jay Gatsby’s swinging pad, all the while littered with references and quotes from the books and insight into the characters featured.

I think it’s obvious from my introduction that I just adored this book.  It has such adecorating 1 wonderful sense of humour, one of my favourite moments being Miss Havisham from Bleak House, who when referring to the author who wrote her such a depressing storyline stated, “He really put the ‘Dick’ in ‘Dickens.'”  It is littered with little ‘inside’ jokes between the reader and the characters which had me literally laughing out loud.  Every ‘tour’ and ‘interview’ was a little trip down memory lane as I remembered the books I have read and loved in the past, some of which I haven’t picked up in far too long.  It renewed my love of classic literature and as a direct result, there are now multiple re-reads on my TBR pile.  Indeed, there are some classics referred to in the book which I have never taken the time to read but after reading this book, I definitely plan on doing so.

The book is divided into chapters covering specific types of domiciles, everything from ‘Ancestral Estates’ and ‘Crazy Castles’ to ‘Cottages, Cabins and Hovels.’ Whether you live in a big house or a flat, or even castles, ships or wardrobes- there is style inspiration for everyone.  Dotted amongst these main chapters are little funny interludes, like the witch from Hansel and Gretel discussing decorating with the Mama Bear from Goldilocks and the Three Bears.   Whatever your favourite books are, Susan has it covered.

decorating 2It is beautifully illustrated by Becca Stadtlander (I mean check out that drool worthy cover), with images from each resident adorably featured in each interview.  Highlights include paintings of Dracula’s coffin, the Gingerbread house from Hansel and Gretel, the wardrobe from The Lion, The Witch and The Wardrobe and a full page illustration of Pemberley.  I love the classic style of the images, which for perfectly with the books theme.

Susan Harlan is a great writer and it’s clear how much time and research she put into each character and each interview.  She obviously re-read every single book featured as each interview perfectly captures that particular book and character, whilst giving it a humorous, modern and light hearted twist.

Randomly, I also want to note how beautiful the book actually looks as well as the fact that it is of a really high quality.  It is a hard back, which I love, but also the actual pages are of a really thick and high grade paper.  It’s the type of book you would have sitting on your coffee table for people to peruse.  It makes me sound so old saying something like that, but I genuinely appreciated the weight and appearance of it.  It felt grown up and expensive!

Overall this is a fun, light hearted book which would be perfect for any fan of classic literature and as a side note, it would make a really lovely gift! Definitely 4.5 stars out of 5!

Blood Bath Literary Magazine: A Review of Issue 1 & an Interview with the Editor.

Blood Bath Literary Magazine: A Review of Issue 1 & an Interview with the Editor.

There are some awesome literary magazines on the market out there.  They offer readers a chance to read pieces and styles they might not normally explore, from authors they are yet to discover and they are a great way for indie writers such as myself to get your writing out there.  I love a good literary magazine, so when I discovered that a new Horror based literary magazine was coming out of Edinburgh (one of my favourite places in the world) called Blood Bath, I was beyond excited.  And when I found out their first issue was based around the theme of Bodies and I saw that epic cover art by Jo Ruessmann, I knew I would have to buy a copy then and there.  Read to the end for my full review of the first issue (spoilers- I loved it!).  I was honoured to interview the Editor of the magazine about her love of Horror and why she decided the world needed a little more of it.

  1. Tell us a little about you, the person behind Blood Bath zine.
katy at bloodbathHi!! My name’s Katy, I’m editrix of Blood Bath! I live in Edinburgh, Scotland. I’m also a genre
fiction writer, mostly sci-fi, horror and weird fiction. I’ve been running BB since April
2018.
2. What Inspired you to start the magazine?
I wanted to start BB because I was struggling to find a local horror publication that I wanted to send my work to. I like sharing my work through local publishers, and I was constantly finding that most horror publications were American or Canadian. I thought with Edinburgh being Gothic, haunted and one of the weirdest cities in the world, it was strange that we didn’t really have a cool, genre specific, weird, spooky publisher. I also know loads of horror writers who are writing great stuff, but no-one wants to take it. So, I decided to make my own space for them.
I came into some money when my Dad passed away in January 2017, and he always encouraged my love of horror, so it seemed appropriate to use the money to start BB. When I was a teenager and just getting into weird stuff he would give me serial killer books, horror novels and movies and even (accidentally! He didn’t realise what it was, and neither did I until I got to a certain point!) a soft core porn novel about Elizabeth Báthory, the Bloody Countess who (legend has it) bathed in the blood of her victims. So the first issue is dedicated to him, and we’re also hosting the next issue’s launch party on his birthday! We’ll be announcing the date very soon.
3. Why Horror?  What about the genre fascinates you?
I think everyone is into horror! Even if you say you can’t watch horror movies, everyone secretly wants to look. It reflects so much of what is inside us, the things we don’t like thinking about, but we’re frequently forced into looking at. Life is horrifying and awful, and horror has always shown that, unflinchingly, and made it beautiful or poignant or just illicit an emotion in you, which I think is cool. Horror and sci fi and fantasy occupy such a special place because we can look at ourselves stretched to the extreme, or in a different world. It lets us attack, deconstruct or challenge the world around us. Also I just think horror stories are about better things. Genre fiction as a whole is just more fun and exciting to read than regular fiction, for me at least.
4. What do you look for in the pieces you include?
I always look for something I haven’t seen before. So much of horror is the same, people cover bloodbathre-hash ideas all the time, which is not a problem! You can do something that’s been done before, but just twist something essential about it. You can do a werewolf story, but go and read and watch all the werewolf stories you can. See what’s out there. Find out what perspective or message or theme is being overlooked, and do your own version of it, or subvert the pieces that are already there. Originality weighs in much more than a perfectly polished and edited story I’ve read a million times before.
I think when someone knows the purpose of their piece, when they know what they want you to do as a reader, that just lets you enjoy the world or the cool ideas they have to show you! So knowing your piece and what you want it to do also helps. As I’ve already mentioned, being socially aware and subversive is important for me in choosing a piece. But being in this gatekeeper position is very subjective, and I will pick pieces that appeal to me specifically. That’s why it’s important to keep trying until you find a home for your writing.
5. Do you have any tips or advice for new writers out there, keen to be published?
First, the guidelines are not loose guidelines they are rules! Follow them! The publisher has written them for a reason.
Just be nice!
Keep trying! Just because you don’t get into one publication, doesn’t mean your work wouldn’t be perfect for another.
There’s no need to put on a show in your cover email, your work should speak for itself. Just list your top 3 or 4 publications if you have any, some people send a full list of every publication they’ve ever had. It just doesn’t really add anything to your submission, and it’s a little annoying to scroll through to get to the end of your email. Keep it concise.
Write a lot and edit more! Editing is less fun than writing for me, but it always improves my work when I do a lot of careful, considered editing.
I haven’t given much writing advice, but I think it’s better to just develop your work in your own way, only you can figure out what kind of writer you are and what kind of work you want to create.
Lastly, look after yourself. It’s easy to be overcome by rejections or writing that’s not working. It’s a tough and highly emotional job, make sure you make time for self care, whatever that looks like.
6. How does someone submit their writing to you?
They can submit via email, bloodbathlitzine@hotmail.com. But read the guidelines on our website first!
7. What does the future hold for the magazine?
I’m not quite sure! And that’s exciting! I’m working with some people I really admire to create the second issue, and I can’t wait to see how it all turns out! DEMONS will be launching in early May, with an incredible launch party in Edinburgh. I wish I could share more details with you, but it’s going to be a great night! It will definitely be demonic and debaucherous.
We’re going to a few more small press fairs and zine fests, as well as publishing conferences and literary events. I want BB to just keep growing, as there’s so much writing and art I want to share with the world. I do want to expand to publishing books, short story collections, and some weirder stuff. I’m very excited to see what the future holds!
My Review of Issue 1: Bodies.
bloodbathzineThe human body can bring about a mix of emotions, everything from lust to fear.  They fascinate and disgust us and they are discussed and picked over constantly, whether by our own harsh assessments of how our own body measures up to modern beauty standards, to the constant media attention they receive.  I have read countless horror novels and seen dozens of movies where human bodies are subverted and twisted into something which haunts us, hence why they make the perfect theme for the debut of Blood Bath.  The Magazine contains 13 pieces of writing, all with this common thread and all with a dark and macabre edge to them.
We start with Miss West’s Requisitions by Ever Dundas, a depiction of a truly disgruntled employee and perhaps, if we are honest with ourselves, a version of those horrible little dark thoughts we have in the back of our mind when someone irritates or upsets us at work.  It’s a great story, with a humorous side and a fab start to the magazine.  Petrified by Felicity Anderson-Nathan depicts someone’s hand, then arm, becoming petrified.  It’s short but impactful and leaves you feeling very sorry for its protagonist.  Feed Them by Mary Crosbie is one of my favourites featured in the magazine, depicting a woman who is willing to go to incredible lengths in order to stay thin.  It’s a chilling indictment of the pressures put on women to conform to modern beauty standards and to maintain a skinny, size zero body….is it weird that reading it made me hungry?  Probably says more about me than I would care to admit.  Next up, we have The Sea Witch by Angie Spoto, is a much darker version of that classic mermaid with a human lover trope.  It’s gory and gross, in a good way.  Family Pool by Scott Clark is my favourite of the contributions and tells the tale of a family and their very hungry, utterly terrifying swimming pool.  This one really stayed with me and even sent a little shudder up my spine.  Maleficae by Tiffany Morris is a vampiric poem, short but beautifully written.  Ghosted by Kristy Falconer describes one Hell of a bad break up.  I liked this story.  It was filled with melancholy and Falconer has a particularly beautiful way with words.  A Terrible Meat Eating God by Holly Lyn Walrath, a piece of flash fiction, is all about consumption and is again, beautifully written and very poetic.  The Unrecalled by Rita Hynes, depicts a teenage girl and her morbid fascination with the things happening to her body.  This one made me feel a little nauseous! If any story manages to have a physical affect on you, you know it’s a good one. The Eye that Offends you by Alys Earl is a dark and haunting twist on the traditional fairy tales we loved as a child.  I really loved this one, it was just perfect.  Cleaver by Jelle Cauwenberghs features a girl haunted by the ghosts of the past as well as a future threat she must be ready to face.  This is another of the stories with wonderful language and I loved the snippets of past memories dusted throughout.  Witch Ridden by Katie Bootland, is based on the tale of the blacksmith’s wife of Yarrowford and is short but beautiful. Finally, Enclosed in clothes by Laura Dehaan, the final contribution and the third of the poems is a wonderful end to the collection of tales.
Overall, I loved this magazine.  The stories and poems are all so unusual and well written and perfectly chosen for the issue’s theme.  I love the cover art so much and I look forward to issue 2: Demons, coming soon.  Definitely a 5 stars out of 5 from me!!
Katy is accepting submissions for the Demons issue until February 14th, head to their website to find out what she is looking for.  You can also buy prints of the fantastic cover art by Jo Ruessman on the Blood Bath website, but hurry because there is a limited amount and they’re selling fast.

Book Review: Dead of Winter by Kealan Patrick Burke.

Book Review: Dead of Winter by Kealan Patrick Burke.

I was recently introduced to Kealan Patrick Burke by a fellow bookstagrammer and horror enthusiast, the fabulous Sadie Hartmann (aka Mother Horror) and I am so glad I did.  Dead of Winter, a collection of Burke’s short stories and his latest release, felt like a good place to start, plus the cover is epic.

dead winter2The collection starts of with Snowmen, a tale told from the perspective of a young boy haunted by shadowy figures in his backyard.  This story is perfectly creepy, staying with you long after you finish the final word and it is not only the perfect start to this collection but it’s also my personal favourite.  From there, it takes a festive twist and of course, I use that term in an ironic way.  Story number two is Doomsday Father Christmas, a truly depressing take on our consumer driven Christmas and the with that you are dragged further into the cold, dead winter by Burke.  Next up, we have Black Static, a short, sharp punch to the gut from the perspective of a man resentful of having to care for his father through deteriorating mental and physical health.  This is followed by Visitation rights, a story about a divorced father during a resentment filled visitation with his two daughters.  This is one of those stories you end up reading again immediately after finishing because you can’t quite believe what happened.  Home depicts a panicked father, worried when his wife and daughter do not return during a particularly harsh winter’s day.  This one is genuinely emotional and honestly a little heart breaking.  The Quiet depicts a now paraplegic man contemplating his life and the tragic events which led him to that point.  This story really demonstrates Burke’s writing ability and is quite frankly, short story perfection.  It’s another tear jerker, touching on some truly emotive topics.  Last up, They Know and wow, what a finale.  This is horror at its best and you will continue thinking about it long after you close the book.  It’s one of those stories which takes you one way before dragging you screaming the other way.  It reminds me of the movie Phantoms (if you haven’t seen it, watch it immediately) and is just as creepy!

Overall, this is a truly chilling Collection of stories which makes me want to read more of Burke’s writing.  I’m giving this one 4 stars out of 5!!