For the latest edition of my collaborative series ‘Inspired’, I have had the privilege of working with the amazingly talented Milo Lilja. Milo is a 45 year old artist from a small city in Sweden, who also lives part of the time in Spain. She works with individuals who are struggling, offering support and helping them get a better life. When she isn’t working, she’s a dedicated cat lady, concert goer and artist, who loves working in mixed mediums. She has been creating art as far back as she can remember but it was in 1995 that her passion for rubber stamps and collage awoke. Now, she designs for several stores, and holds regular scrap booking work shops. If you love her work as much as me, you can check out more on her Instagram.
In the mean time, happy reading! Let me know what you think in the comments section, and if you are an artist or photographer, and would be interested in collaborating, get in touch!
I cough hard into my kerchief, the thick smog lingering about the cobbled streets reaching inside my lungs, infecting them with their black soot. I hate this city. Death hangs above it like a black cloud, casting it in a constant grey light. There is never sunshine here, only rain and soot. The gas lighter whistles as he walks from post to post, the dim flame only serving to shroud the city further, casting flickering black shadows into every corner.
Fear lives here now, I can smell it on the air. Fear of mischief, fear if blood. It was the
Ripper that started it, and the newspapers which kept it alive even now, a year after his last victim was found. I shudder, despite the evening being warm. It’s dangerous on these streets, if you don’t remain vigilant. I smile as a man walks past, his cane creating a rhythm on the street as he walks. He ignores me, quickening the beat. I’m making my way to my usual spot, in the old town, where men only venture for two things: women and ale.
The noise increases the closer I get, the sound of rowdy drinkers and laughter. I see them, men stumbling from tavern to tavern, women flirting with clients, landlords throwing out the trouble makers. It smells of stale beer and sweat, it smells alive.
I take my usual corner, over by O’Sullivan’s bar. We all have our little territories here, invisible lines drawn on the stones, treaties made and wars waged. It took years for me to work my way to this prime location, and I protect it aggressively. The new ones, I forgive, they don’t know any better. But the old hands, like me, chancing their arms, they get the full force of my rage and fists. Many have come, and all have retreated again, licking their wounds, averting their gaze. She is Queen of this corner, and they should never forget it.
I smile at them walking past, swaying my hips, pushing out my breasts. They slobber and pant like dogs on heat, easy marks. I would pity them if I didn’t find them so abhorrent. Soon enough, I have one in my sights. He’s unsteady, taking three steps to get somewhere it would take most one to reach, and he sways as he moves, as if dancing to some unheard song. I throw out the bait, winking at him, pouting my lips, and then I reel him in. One looks, one gesture, and he’s hooked. Pathetic.
We barely make it to the alleyway before he’s on me, wet lips and the stench of whiskey on his breath. His hands grab and paw at me, fighting a never ending battle with my skirts. I like to give them a taste first, it makes the spoils taste all the sweeter. After a moment or two I push him against the cold damp brick, his head hitting it with a thump. He looks wide eyed and bewildered for a moment, his brain trying to catch up with his body, before the rage appears on his face. He slaps me once, hard, across the right cheek, before pulling a knife.
I laugh, which only seems to incense him further. He lunges at me, the knife glinting at it moves towards my chest. With only a small movement, I hit him hard in the chest, sending him flying back whence he came, hitting the wall even harder than before. It’s winded him, he wheezes and gasps as he crumples to the ground, the knife no longer in his possession. He seems confused, dazed. Easy pickings.
I stare at the dark sky, the full moon only just visible behind cloud and smoke, a brilliant glint of white in a black sea. I feel the blood lust swelling within me, my ribs separate first, one by one, spreading my chest wide, my skin growing paler as it stretches. My neck elongates, my jaw dislocates, my eyes turn from a warm and inviting hazel to shiny black marbles, and my teeth grow and sharpen to a point, my mouth wide and eager.
He looks terrified, his eyes wide with terror, his chest heaving, his hands shaking. I can taste his fear on my tongue. I find it intoxicating. With one bite, I enclose his entire throat, the skin and veins opening like wrapping paper, their sweet, red gifts flowing into my body like sweet wine. My heart pounds as his life force drains from his withering corpse into my body, which grows stronger with every drop. Within seconds, he is drained, a husk of a person, suddenly aged by fifty years.
I bask a moment on the high, my head buzzing, my body tingling, before I slowly return to my human form. I cover him with a nearby sack. Tomorrow, the residents will find him, another elderly man succumbed to the cold, another homeless person without charity. How quickly they forget the terror which had so recently gripped these streets. But I do not fear the Ripper, not after I drank him dry. I can still taste him now, sweet with a hint or warm spice. I smile as I pass posters and bills glued to walls and windows, warning of the dangers of the city. I know better than anyone what lurks within these warrens. I know exactly what those who dwell within should fear. It’s dangerous on these streets, if you don’t remain vigilant.